On the same pile, there are books about Mossad.

Bloody miniatures by Eliza Kącka about neighbours ( Elizje ). Add to this one of the saddest musical-score main themes in movie history, featuring a woman's voice singing a haunting child's melody, and you have a giallo that fans of the genre should definitely not miss.The prose writer and translator Piotr Siemion reveals what he has on his reading pile, tells us about his search for the ‘chimeric moment of joy’, a novel from which he remembers every word, as well as about a ‘disco novel’ and about what writing has in common with existence. The resolution is well-handled, and even if the killer's identity is impossible to guess beforehand, the means in which he (or she) is finally discovered will make you smile. The characters are all fully formed and functional to the story, which itself is well thought-out and clever. What elevates this one above all the others made in that banner year for the genre (1971), though, is the detail given to the script and production. As is the case with most gialli, there's a detective one step behind the murderer, a lush and creepy music score (this time by Morricone), a houseful of suspects, creative and illogical murders, and a downbeat and melancholy plot. Review: The plot revolves around a series of murders committed by an unknown assailant intent on keeping the deaths of a small child and her father unsolved. The cast of unknown actors portraying Demy and other people in reconstructions of his memories are very good, and the interesting tension between the function of these scenes as storytelling and their inclusion in Varda's larger biographical essay instantly recalls the intensely personal nature of Demy's own lush, ambitious experiments behind the camera. Varda's efforts lead to a touching and evocative portrait of a man who saw, even as a boy, no distinction between his imagination and the more magical traditions of theater and film. Review: Agnes Varda's 1991 tribute to her late husband, Jacques Demy-Varda's fellow pioneer in the French New Wave movement of the 1950s and early 1960s-is a moving combination of reenacted scenes from Demy's fanciful childhood, clips from his movies (The Umbrellas of Cherbourg, Donkey Skin), and filmed interviews with him shortly before he passed away. Actors and Actresses: Hélène Pors, Jérémie Bader, Marie-Sidonie Benoist, Clément Delaroche, Laurent Monnier, Philippe Maron, Edouard Joubeaud, Fanny Lebreton, Julien Mitard, Rody Averty

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